Category page C Cal Jacobs E Elliot (Euphoria) J Jules Vaughn N Nate Jacobs R Rue Bennett T TC (Euphoria). Complex portrayals of queerness. While each character in Euphoria brings their own individual complexities to the show, the way in which queer people’s identities is examined is groundbreaking because being queer isn’t their main character trait. 21 "Euphoria" Moments That The Gays Are Still Thinking About All I want now is to dance with Fez to INXS's "Never Tear Us Apart" in some roadside gay dive bar.
The only confirmed gay male character comes in the form of a violent, predatory middle-aged man, who hoards videos filmed nonconsensually. He is manipulative and aggressive toward his wife, children and anyone who threatens to reveal his sexuality, using his power and wealth to threaten and demean anyone he deems less than him. I’m not saying characters can’t be flawed — hell, almost every Euphoria character is low-key a terrible person — but Cal, the show’s main representation of gay men, is one of its biggest villains.
If there were some more queer characters in the mix, it’d be a little easier to swallow. Maddy finds herself babysitting for a woman named Samantha. Your email address will not be published. Kat seems to look at the relationships around her, comparing hers to those of her friends. There were rumblings that actor Barbie Ferreira and series writer-director Sam Levinson had friction on set.
We know that, and we accept it. At one point, she fantasizes about a tall, muscled Dothraki from Game of Thrones slaying Ethan before dominating in her bedroom. We can only hope and pray for more Bobbi. Nate may think it was homophobic, but I think I speak for all homosexuals when I say that we liked it. A moment so tense that it sent Cassie spiraling down a dark path for an entire season. By morning, the light pouring in through the windows, Cal received a call from Marsha about her being pregnant.
We may have initially though Ethan was fulfilling the typical soft theater-nerd role. I never would have guessed that Jules would be the type to cheat. Lexi put on a multimillion-dollar production just to call Nate gay. This song gagged us and not in the good way. This action of inviting Cassie back seems to be an action of love towards his mother, or an attempt at remaining her sweet boy. In stark contrast to hard drugs and murders, Fez and Lexi forget who they are for a moment, holding hands like middle school lovers.
ALL of those features describe Jules. Guest Column: A commitment to communication, community and learning As we near the end of the academic year, we want to take a moment to reflect — openly and honestly — with you, the students we are honored to serv This moment was odd and sad, but also a little bit funny.
In season two, Sam Levinson tries to humanize this character and instead falls into the trope of excusing violent and homophobic behavior just by virtue of the character being closeted. The spinoff about his trials and tribulations at Juilliard is hopefully coming soon. Did that make sense? Literally, wig! As we near the end of the academic year, we want to take a moment to reflect — openly and honestly — with you, the students we are honored to serv That backstory showed that his drug dealing is anything but a choice—it's the life he was thrust into, and the only one he's ever known.
They begin to show us full and complex renderings of how men can exist authentically and genuinely, and this is exactly what we need more of. Instead, he calls Jules, meets up with her, and gives her 1 the information that the recording exists and 2 the physical copy of it so she can have the honor of taking a hammer to it or keep it for eventually leaking to Traditionally, toxic masculinity can include acts of violence, misogyny, and manipulation.
For that, the consequences are seemingly unending this season. Hopefully next season she will have a juicier story to work with. Amid gut-wrenching scenes of overdoses and withdrawals is a take on sexual orientation and power dynamics that becomes more questionable as the episodes go on.
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